
Photograph: Kevin Shannon Photograph: guardian.co.uk

Photograph: Sally Bevington Photograph: guardian.co.uk

Photograph: Jason Pemberton Photograph: guardian.co.uk

Photograph: Vivien Cumming Photograph: guardian.co.uk

Photograph: Alexander Barker Photograph: guardian.co.uk

Photograph: Barbara Zeisel Photograph: guardian.co.uk

Photograph: Emma Durnford Photograph: guardian.co.uk

Photograph: Dave Roberts Photograph: guardian.co.uk

Photograph: Rich Quarterman Photograph: guardian.co.uk

Photograph: Olivia Blockey Photograph: guardian.co.uk


Photograph: Matthew Thomas Photograph: guardian.co.uk


Photograph: Patrick Donnelly Photograph: guardian.co.uk

Natalie Mayer, judge: A beautifully exposed and very sharp image, with wonderful colours. I feel the composition could have been improved by getting a little closer to the ground and tilting the camera slightly round to the right (facing slightly more to sea) so that the distant part of the waters edge is further to the left of the frame. Still, a breathtaking scene, absolutely lovely!
Photograph: Chris Mole Photograph: guardian.co.uk

Natalie Mayer, judge: A beautiful and simple scene, which unfortunately gains nothing by being viewed as a small image on a screen. You need to print this one big Jane, perhaps a metre high, and display it proudly on your wall!
Photograph: Jane Brook Photograph: guardian.co.uk

Natalie Mayer, Judge: A lovely simple scene, well framed and exposed, very nicely post processed. Colour treatments (often in the form of Photoshop Actions) are quite fashionable in imagery at the moment, and although it's important not to over do it (a little goes a long way), they can be really fun to play with.
Photograph: Simon Ryan Photograph: guardian.co.uk

Natalie Mayer, judge: Although this image could have been improved by waiting until the water was more still so that the animals' reflections appeared sharper, I still think the idea is fantastic, and well spotted by the photographer. A fine underexposure has removed the detail from the shadow areas and rendered the sky a beautiful rich red. Seeing the animal reflections, but not the animals themselves, is a lovely twist. I think it's important when shooting landscapes to look for that little bit extra from your scene - to change the image from a representation of what everyone would see if they were faced with this view, to a unique viewpoint visualised only by the photographer. Well done!
Photograph: Libby Powell Photograph: guardian.co.uk
